Art

Lucie de Moyencourt

while i was enjoying the new Pichulik website yesterday i particularly loved their Brave Women series – intimate portraits of the women who wear Pichulik pieces. the first feature is on Lucie de Moyencourt who works as an architect, set designer, illustrator and painter.

lucie de moyencourt was born in 1983 in paris, she grew up in south africa, where she works as an architect, set designer, illustrator and painter. with no formal art training, painting and drawing is something lucie has always done for herself. by observing her subjects very closely, she allows the brush to move around the canvas without giving it much thought, trusting that her hand will do something intuitive to what she is seeing. lucie aims to complete a painting in one sitting, and enjoys working into wet paint with thicker layers of colour. “i paint because i am addicted to the ‘surprise’ that the painted canvas gives me when i step back from the easel”.

STORY: Pichulik. STILLS: Tommaso Fiscaletti. VIDEO: Johnathan Mellish. ART: Lucie de Moyencourt

Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt Pichulik Brave Women: Lucie de Moyencourt

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Alex Katz

inspired by the print work of artist Alex Katz today, which spans from the late 40s to the present day. you can see his entire impressive archive here.

Katz has admitted to destroying a thousand paintings during his first ten years as a painter in order to find his style. Since the 1950s, he worked to create art more freely in the sense that he tried to paint “faster than he can think.” His works seem simple, but according to Katz they are more reductive, which is fitting to his personality.

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Kontora Sisters

the Kontora Sisters are Katya and Nastia from Simferopol, a city on the Crimean peninsula in the Ukraine. Katya makes jewellery and Nastia is an illustrator (she also takes the photographs seen here). i like that their styles complement each other. also check out Nastia’s other illustrative work here and follow Katya on instagram.

Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters Kontora Sisters

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Ruby Taylor

Ruby Taylor is a London based illustrator who produces editorial illustrations, t-shirt designs, stationery and prints. she has done lots and lots of cool work, so if you’re someone looking for an illustrator best get in touch, ya hear? follow at her portfolio & tumblr.

Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration
Ruby Taylor Illustration

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Ryo Takemasa

i don’t think i have ever spent so much time looking at illustrations of vegetables (if only i would spend as much time actually eating them). these wonderful renderings are by Japanese illustrator Ryo Takemasa who has done work for a number of international publications. check out his work at his website & blog. he also has a shop – so you can buy some veggies in print!

Ryo Takemasa

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Winnie Truong

it’s always wonderful to see what can happen in a year, and it was almost exactly a year ago that i featured the work of artist Winnie Truong. her most recent body of work Rites of Passage has just opened at Gallery Benoni in Copenhagen, playfully exploring the feeling of age and the precariousness of time.

Rites of Passage explores the transition from youth to oblivion. The subjects in her portraits are poised for no specific occasion, neither celebrating nor lamenting their experience of humanity and death. With the experience of getting older, personality and psyche are in a state of flux, making the feelings of growth and decay simultaneous and ambiguous. The rites of passage then become unclear, leaving mortality to be donned and adorned by these characters merely as ornament.

Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong Winnie Truong

 

 

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Emily Ferretti

i love the cool hued work of Aussie artist Emily Ferretti. she is represented by the Sophie Gannon Gallery. these pieces also appear in her book!

Ferretti’s oil-on-linen paintings of plants, rocks, domestic settings, sporting ephemera and architectural details are remarkable for their lightness of touch and subtleties in process, tonality and mark making, sidling the representational and abstract via a quiet, poetic tenor. Isolated from wider narrative and context, her various fragmentary scenes – athletic tracks, skate ramps, pot plants or winter forest scapes – work to bestow the day-to-day with a particular gravity and significance.

Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti Emily Ferretti

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Kemi Mai

Kemi Mai is an eighteen year old illustrator from Manchester who i am SUPREMELY JEALOUS OF. this girl can do amazing things with pixels. she makes her art using a tablet and photoshop. she is amazing, check out her work here and here.

My work starts with an idea derived from thoughts or abstract feelings, which I aim to express in a way that also appeals to me atheistically. Colour has become incredibly important to me, it can be so influential in setting the overall tone of the piece. I like to think of the majority of my paintings as visual representations of things that couldn’t exist organically in real life. Whilst an element of realism is important to me, I haven’t ever been interested in depicting a scene that resembles a photograph without a concept. My work isn’t weighted with messages intended to change the world, but it’s something through which I can be honest, and I appreciate that freedom greatly.

Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai Kemi Mai

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