i should start this post by saying that artistic depictions of cats go back as far as the Egyptians who- bla bla bla, but the point is cats are cool so of course why wouldn’t they appear in art since forever? what i realised after looking around for rad art that featured felines is that there are a lot of nudes + cats. this Picasso being perhaps the most explicit. is it because people tend to strut around their house naked, while their cats look on? i know i always did when my cat was still alive. and then you’d stop and look at the cat, who was looking at you, and you’d think… is it judging me or does it just not care? (a bit of both)
i really REALLY love the work of artist Michelle Armas. she started painting to cope with the stress of her career in the world of corporate branding, and eventually turned it into a full-time job. i love stories like that, and it makes me think of a cool quote from designer extraordinaire Jessica Hische – “The work you do while you procrastinate is probably the work you should be doing for the rest of your life.”
one of my favourite auction houses Bukowski’s has a new auction coming up called Abstract Possible, the catalogue of which is a delight to browse. i particularly love the work of Mika Tajima and Claire Barclay whose styles are wholly different but whose art i would snap up in a second (if i were a collector with loads of dinero)
i spotted australian artist jonathan zawada‘s striking neon landscapes on one of those sites like fffound / tumblr where people don’t bother to include any information, so after a bit of digging around i found his official website and more information about his latest exhibition over time at the prism gallery in LA (which unfortunately just ended a couple of weeks ago, perhaps you managed to catch it if you live in the area code?)
tauba auerbach manipulates large pieces of raw canvas into various configurations through folding or rolling. she then lays the canvas out flat and paints its surface with an industrial spray gun aimed at different angles to achieve a trompe l’oeil effect… examine the works’ surfaces closely and you find that they are perfectly flat, the apparent deformations skillfully spray-painted on.
in his ongoing series until the kingdom comes, simen johan depicts a natural world hovering between reality, fantasy and nightmare. merging traditional photographic techniques with digital methods, johan’s images are crafted over time and may include a synthesis of landscapes from various geographical locations and animals photographed in captivity or in the wild.
I want my work to have the whole world in it, and i want it to mean everything to everyone… but i don’t… want to add anything.