this is one of the coolest things i’ve seen in a while. Onehundredforty is an art experiment that merges smart programming with beautiful design to make personal art prints – from a tweet of your choice. basically you select a tweet, Onehundredforty generates your design, and they print and send it to you.
i have always been terrible at planning. i don’t plan my day or my week or make lists or any of that stuff – i know i should. and sometimes when i do manage to sort myself out it is almost always handwritten. i tried to use list apps and other techno things to help me out in that department once, but actually having a piece of paper with a list of things i need to do or remember – that is the most helpful to me.
Diana Beltran Herrera is a Colombian designer and artist who, simply put, does INSANE things with paper. not only is her work technically amazing; but the pieces that she creates are beautiful to behold. Diana has a university degree in industrial design, and has been pursuing an interest in paper sculpture since graduating.
there are 9 Mondays left till 2014 comes to a close. let that marinate for a second. okay, don’t panic. don’t freak out. buy a new calendar instead and embrace 2015 like the adult you are.
birds have gotten a bad rap these past few years, appearing in a cutesy manner on anything and everything from ceramics to dish towels to tote bags (put a bird on it!) at one point i found myself saying, “if i see one more bird…” but Australian designer and illustrator Pete Cromer has made me appreciate our feathered friends once again with his Aussie bird prints. i also love his other prints like this whale head and happy cogs. all available at his online shop.
sadly the only time i ever buy a magazine these days is when i am about to get on a flight and i know i’m going to be without wi-fi for the next few hours (also, i recently dropped & broke my trusty kindle so now that option has flown out of the proverbial window seat). i’ll get 2 or 3 lady mags from the usual selection at the airport book store, and then flip through them – slowly – so as to pass the time. but inevitably i find myself sitting there with nothing to do because, well, they’re just not my thing. there has been a quiet resurgence of intelligent print magazines in the last few years, most started by sets of like-minded people who are unsatisfied with what’s currently out there, and many are self-funded in today’s print-is-dead-all-hail-the-internet climate. this is exactly what Roxanne Fequiere (editor-in-chief) and Allison o’Shea (creative director) set out to do with Golly. and, together with an amazing team, they’ve succeeded.
i found book cover design to be one of the most challenging tasks when i was studying. we’d see all these brilliant, often very simple, cover designs and think – of course! but getting there is such hard work (as with anything in design, of course). i am so impressed by the work of NY based designer Oliver Munday, whose book covers are so good i would buy them regardless of what the book was about. he has a tumblr too.
remember those insanely cute ceramic Ghosts i posted about? well i revisited Studio Arhoj to see what they’ve been up to, and luckily for us there is a new SS 2014 collection to peruse. founded by Anders Arhoj in Tokyo in 2006, the studio is now based in Copenhagen. they make all sorts of interesting pieces each with a story behind them.
have come across some wonderful identity designs lately. please click on the images to be taken to the original designer and more information on their process.
designed by Michelle Viljoen for Monique Ferguson:
the Kontora Sisters are Katya and Nastia from Simferopol, a city on the Crimean peninsula in the Ukraine. Katya makes jewellery and Nastia is an illustrator (she also takes the photographs seen here). i like that their styles complement each other. also check out Nastia’s other illustrative work here and follow Katya on instagram.
just gonna file this under coolest things ever. these are illustrations by French entomologist Eugène Séguy, from a book detailing his illustrations of insects and colourful decorative compositions of their patterns and colouring dating from 1925. he was, understandably, more well-known for his brilliant pattern design than for his work as an entomologist – though the two are undeniably intertwined. read more about him here.
Eugene Alain Seguy was one of the foremost French designers at the beginning of the 20th century. Working in both the Art Deco and Art Nouveau styles, he published many design folios utilizing the pochoir technique, a printing process that employs a series of stencils to lay dense and vivid color. *