now, i know that people love to make fun of the many, many food photos you see on Instagram these days – but i for one love them. they are usually the number 1 photo that i tend to favourite, especially when the food in question involves the simple and best things in life – bread, butter and cheese.
i’ve been holding out on posting about my friend Debra‘s photography blog Film Is Awesome Sauce (nice parks & rec reference, deb) because i’ve been waiting for her posts to get to such a level that you can enjoy many HOURS of browsing. and browse you will, for she takes her camera basically everywhere she goes. photographing in film is no small task considering the time & effort & cash that goes into developing and scanning these days – but the results are oh so worth it. the richness of the colours never fail to wow me.
i asked Anabela of the newly revamped Fieldguided – nice work Kate! – if she’d care to share the lookbook that she & her partner Geoff recently shot for Scout & Catalogue. i really love Anabela’s visual aesthetic, and particularly enjoyed her behind the scenes photos from the shoot. Shop the collection here.
boy did i spend a lot of time looking through the portfolio of Paulina Surys, a london based polish artist and photographer who makes use of hand-developing and hand-colouring techniques in the darkroom. the results are simply breathtaking. she is represented by mystery management and you can also check out her flickr stream.
For a period of 5 years between 1978 to 1982 photography was a way to prove to myself that I was still alive. Unable to unable to make sense of the “real world” and “real people” who told me that I was too sensitive, too quiet, too thoughtful, too strange, I found that my world changed when I picked up the camera. Through the viewfinder a new and better world opened up and, best of all, it acted as a shield. I did not have to get too close when I held the camera. In 1979-82 I used to visit the Clockhouse Community Centre in Woolwich Dockyard, London SE18 and these are a few of the sights I saw.
i did a little dance in my chair when i discovered the Wet Plate Collodion Portraits by Daniel Carrillo. Dan is a photographer and printmaker from Seattle who has taken close to 100 portraits of people in the Seattle area arts community using the wet collodion method – a photographic process which was invented in the mid 19th century. be sure to watch Patrick Wright’s video below to see Dan talking about the project and explaining the process behind these amazing photographs. check out Dan’s Flickr stream and also visit his blog.