the funny thing about growing up watching American TV & movies, but not being from that country, is that you are intimately familiar with things that play no part in your actual life. for example, stereotypical things that make up an American high school: cheerleaders, football players, cafeterias, having a locker – we had none of these things, yet i’m totally familiar with them.
when i discovered the work of NY based artist Claire Sherman i loved it at first sight – the graphic style & those prominent brush strokes are totally my bag. she actually paints many of these scenes from kitchy nature books. reading more about the story behind her work, she explains…
Sarah McRae Morton is an artist who has lived in Europe since 2010, but often returns to her childhood home in rural Pennsylvania, working in a loft above a horse barn where “a hay hatch casts a net of north light”. i’m going to stop right there and just, well, siiiiigh. her work is heavily influenced by the masters, and the subjects are drawn from her own heritage & artistic lineage.
Martin Wehmer is a German artist based in Hong Kong whose paintings are composed of thick brushstrokes. it almost makes me want to take out a brush and swab thick lobs of paint on my face. that’s not weird, right?
this is the third instalment of VISITS, a series in collaboration with Monya Eastman.
walking into Peter Eastman‘s studio on the east side of the city made me realise how many little gems must be hidden all over Cape Town. Peter is actually Monya’s brother-in-law, which made this VISIT a relaxed affair. he showed us the new pieces he was working on for his upcoming exhibition at Smac, and all around the studio were trinkets from by his daughter Jemima – a drawing of a lion, a statue of a cat, rocks collected from the Karoo…
a few years ago my dad started painting. as an urban designer he’s always had a pencil in his hand, but he never had the time to flex his creative muscles outside of work. he began experimenting with various mediums, and quickly settled on watercolour painting. i warned him that it was a tough medium – it might look deceptively easy when you see the finished product but actually getting there is, well, an art. there’s no real room for error, unlike oil painting where you can layer and even remove paint if you’ve made a mistake.
i discovered the work of Mary Laube through Buy Some Damn Art (where you can currently buy some of her original paintings). Mary was born in South Korea but group up in the states, where she received her BFA at Illinois State University. i find her work so graphic and interesting, an artist i would definitely add to my own collection if i could.
i have a habit of browsing around the internet and then realising, wait – haven’t i posted about this before? and then actually googling my own blog to see if my suspicions are correct (i know, i know). so it went when i was looking through the work of Jenny Parsons, a well know local artist whose work i first shared back in 2010.