i discovered the work of Mary Laube through Buy Some Damn Art (where you can currently buy some of her original paintings). Mary was born in South Korea but group up in the states, where she received her BFA at Illinois State University. i find her work so graphic and interesting, an artist i would definitely add to my own collection if i could.
i have a habit of browsing around the internet and then realising, wait – haven’t i posted about this before? and then actually googling my own blog to see if my suspicions are correct (i know, i know). so it went when i was looking through the work of Jenny Parsons, a well know local artist whose work i first shared back in 2010.
Greta Van Campen is an artist based in Portland, Maine whose graphic paintings are a thing of beauty. Greta works from her own photographs, deciding on large compositional elements and dynamic lines, then paints in layers and masks off entire areas or smaller details with washi tape as she goes along – filling in more detail. you can read more about her and her process here. it’s really cool to see how she paints plein air as well.
when i first saw the work of Liz Markus i immediately thought of the portraiture of Slim Aarons, known for photographing the lifestyles of the rich and famous. and i wasn’t wrong, many of the paintings reference Aaron’s own photographs. they form part of her collection Town & Country. Markus applies acrylic wash to unprimed canvas, meaning the paint spreads as it dries – an unpredictable method of painting.
Jenny Prinn is an artist living and painting on the coast of Maine. She is intrigued by the fleeting moments and feelings in life that are often overlooked or forgotten. She’s not interested in recording the big events but, rather the small pulsing, transient moments and sensations that strike deep within our core for just a moment and then are gone. By working a canvas over the course of days and weeks she begins to capture the essence and electricity of these moments through the exploration of color, shape, texture and line.
i should start this post by saying that artistic depictions of cats go back as far as the Egyptians who- bla bla bla, but the point is cats are cool so of course why wouldn’t they appear in art since forever? what i realised after looking around for rad art that featured felines is that there are a lot of nudes + cats. this Picasso being perhaps the most explicit. is it because people tend to strut around their house naked, while their cats look on? i know i always did when my cat was still alive. and then you’d stop and look at the cat, who was looking at you, and you’d think… is it judging me or does it just not care? (a bit of both)
did you ever read the Faraway Tree series by Enid Blyton? they were possibly my favourite books as a child (except maybe for anything by Roald Dahl) and i was instantly transported back to the Land of Goodies when seeing these paintings by Will Cotton. of course like most children’s books in those days everything wasn’t always sunshine and rainbows – there was always a moral to the story, and if you overindulged you were likely to learn a good lesson. that sinister undercurrent is certainly present in Cotton’s depictions of pin-up models in sugary sweet settings that look like they’re decaying before your eyes.
Fred Ingrams is an artist who after working for many years in London as a painter, graphic designer & art director moved to Norfolk in the late 90s, where he recently became obsessed with painting an area known as The Fens – a marshy, flat region in the east of England. all descriptions of the area sound boring and dreary, but Ingram’s paintings are vibrant and interesting. see his Fens series at his blog and the rest of his work at his website.
i love these oil paintings by local artist Alexia Vogel.
Alexia Vogel is a recent Michaelis School of Fine Art graduate. She considers all of her paintings landscapes, even the most abstract ones. She works from old family photographs of landscapes which she feels are imbued with a romantic sentimentality. Her work is very personal, as she considers it the affect of these images, or the memory of them. – via 10and5