Gisèle Freund was a renowned photographer & photo journalist who fled Nazi Germany and settled in Paris in 1933. she studied at the Sorbonne, worked around the world for Time and Life magazines and took the first colour portraits of numerous writers and artists including Simone de Beauvoir, Virginia Woolf, Matisse, Man Ray and many others – all of which you can see here.
Julie Blackmon is a photographer whose ongoing series Domestic Vacations is inspired by 17th century Dutch paintings of chaotic domestic life, particularly those by artist Jan Steen – see this painting and you’ll get a good idea. today a “Jan Steen Household” is used to refer to a home in disarray: full of rowdy kids and boisterous family gatherings. Blackmon is the oldest of nine children and herself a mother of three, and so she explores the everyday life of her family and those around her.
Jordan Sullivan is a writer & artist living in LA, original from Houston Texas, who i have been following on Instagram for a long while. i recently delved into his extensive portfolio, and was stopped in my virtual tracks by the beautiful and harrowing photographic story about his mother: The Burial Cloud.
i’ve never experienced the kind of bitter cold that Canada and other similarly wintery places have to deal with, but something tells me that sitting in an ice fishing hut doesn’t appeal to me much. when i saw this series by photographer Richard Johnson however, i started imagining what my own ice hut would look like… i probably wouldn’t use it for fishing though, perhaps just as a giant freezer? i can store a year’s worth of ice-cream in there.
combining two of my favourite things: vintage photos and Instagram, The Family Acid shares 40 years of film photography shot by Roger Steffens, and curated by his daughter Kate. love his double exposures, and often hilarious snaps like this one, “The day mom and her friends did acid and went to Disneyland. They never made it in past the parking lot. Anaheim, CA, 1976.”
Sounds of Two Eyes Opening is a collection of photographs taken between 1962-82 by Spot, a musician, producer and sound engineer who documented southern California beach life, skating culture and the burgeoning punk scene. he was a fan of LIFE magazine as a kid, and started taking photos while writing for Easy Reader, a newspaper in the Hermosa Beach area. you can read an interview with him about the book here.