Sarah McRae Morton is an artist who has lived in Europe since 2010, but often returns to her childhood home in rural Pennsylvania, working in a loft above a horse barn where “a hay hatch casts a net of north light”. i’m going to stop right there and just, well, siiiiigh. her work is heavily influenced by the masters, and the subjects are drawn from her own heritage & artistic lineage.
this is the third instalment of VISITS, a series in collaboration with Monya Eastman.
walking into Peter Eastman‘s studio on the east side of the city made me realise how many little gems must be hidden all over Cape Town. Peter is actually Monya’s brother-in-law, which made this VISIT a relaxed affair. he showed us the new pieces he was working on for his upcoming exhibition at Smac, and all around the studio were trinkets from by his daughter Jemima – a drawing of a lion, a statue of a cat, rocks collected from the Karoo…
i have a habit of browsing around the internet and then realising, wait – haven’t i posted about this before? and then actually googling my own blog to see if my suspicions are correct (i know, i know). so it went when i was looking through the work of Jenny Parsons, a well know local artist whose work i first shared back in 2010.
Jenny Prinn is an artist living and painting on the coast of Maine. She is intrigued by the fleeting moments and feelings in life that are often overlooked or forgotten. She’s not interested in recording the big events but, rather the small pulsing, transient moments and sensations that strike deep within our core for just a moment and then are gone. By working a canvas over the course of days and weeks she begins to capture the essence and electricity of these moments through the exploration of color, shape, texture and line.
i have a folder of paintings by Raoul Dufy on my mac that i look at every now and then, sometimes i set them as my desktop wallpaper… and then i have to set it back to something else because they are just too bright, beautiful and colourful for me to look at 24/7. i have been wanting to do a post about him for ages but wasn’t sure in what context – until i found these images of an elderly Dufy visiting the USA in 1950, where he was being treated for crippling arthritis. he used to fasten the brush to his hands just so he could continue working.
it amazes me what some people can do with paint. the feeling of rock and cold and mist and altitude that these pieces by Swiss artist Conrad Jon Godly convey is just unbelievable.
paintings by bo bartlett
this old map
& this painting by axel nilsson
(which is currently on auction for close to R250,000 if you’re interested)